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One O'Clock Jump by Gerald Wilson and His Orchestra;1602 One O'Clock Jump This is a good arrangement, though, it is not truly Basie's version of "One O'Clock Jump" Rather it also includes the descending chromatic triplet trumpet run that Harry James used in his "Two O'Clock Jump"One 1 O' Clock Jump 134 likes · 9 talking about this ~Κάθε Πέμπτη, στον Strummer Radio Jazz από τη δεκαετία του 19 έως σήμερα~

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One o clock jump form-JazzStandardscom The premier site for the history and analysis of the standards jazz musicians play the mostOne O'Clock Jump (Alternate Take) Ella Fitzgerald, Count Basie, Joe Williams 13 558 PREVIEW 13 SONGS, 49 MINUTES RELEASED 1957 ℗ 1999 THE VERVE MUSIC GROUP, A DIVISION OF UMG RECORDINGS, INC

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One O'Clock Jump (Alternate Take) Ella Fitzgerald, Count Basie, Joe Williams 13 558 PREVIEW 13 SONGS, 49 MINUTES RELEASED 1957 ℗ 1999 THE VERVE MUSIC GROUP, A DIVISION OF UMG RECORDINGS, INCBasie's boogieish lefthand oscillation recalls Waller's technique opening "Yellow Dog Blues" (1932) At the top of Basie's second chorus (028), a tremoloinfused righthand phraseThis crossword clue Jazz great Jones was discovered last seen in the February 5 21 at the Universal Crossword The crossword clue possible answer is available in 4 lettersThis answers first letter of which starts with E and can be found at the end of A

This may take the form where all instruments play the verse together and then several or all instruments individually repeat the verse as solo parts It can also be a passage when all the instruments stop for a few beats and a solo instrument fills the gap with a flourish One O'Clock Jump;This is a head arrangement a flexible version of the blues that could be expanded by the band as a whole on cue It begins with several choruses by Count Basie, in the key of F, before modulating suddenly to the key of Dflat majorthe key the rest of the band prefers The tune was originally known to band members by the slightly indecent title "Blue Balls," until the contingency of a radio broadcast prompted the change to the innocuous "One O'Clock Jump" (presumably,"One O'Clock Jump"—Count Basie and His Orchestra (1937) Added to the National Registry 05 Essay by John Wriggle (guest post)* Count Basie The swing big band anthem "One O'Clock Jump" was jazz pianist Count Basie's biggest hit and signature theme song, but also a potent demonstration of the bandleader's musical identity

The addition of the conga gives a different sound to Wilson's typically blazing "One O'Clock Jump," which is unfortunately prematurely faded out by the engineer The leader opens "I Can't Get Started" unaccompanied and offers a polished performance as the bass and drums are addedAllMusic The AllMusic review byDécouvrez des références, des avis, des tracklist, des recommandations, et bien plus encore à propos de Count Basie • Ella Fitzgerald • Joe Williams One O'Clock Jump sur Discogs Complétez votre Collection Count Basie • Ella Fitzgerald • Joe Williams

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Lyrics to One O'Clock Jump by Count Basie from the Basie Boogie Remastered album including song video, artist biography, translations and more!Basie recorded "One O'Clock Jump" several times after the original performance for Decca in 1937, for Columbia in 1942 and 1950 and on a number of occasions in the fifties "One O'Clock Jump" became the theme song of the Count Basie OrchestraOne O Clock form Count Basie One O Clock Jump band saxophone Kenny Garrett instrument In the Mood Glenn Miller's song Kansas City Charlie Parker's Hometown A Tisket a Tasket Ella Fitzgerald's song WWII1940s Bebop time period 32bar ABAB Mack the Knife form

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1602 One O'Clock Jump This is a good arrangement, though, it is not truly Basie's version of "One O'Clock Jump" Rather it also includes the descending chromatic triplet trumpet run that Harry James used in his "Two O'Clock Jump"Count Basie, Soundtrack Pearl Harbor The famed composer ("One O'Clock Jump", "Two O'Clock Jump", "Jumpin' at the Woodside"), pianist, songwriter and bandleader began as an accompanist to vaudeville acts He joined the Bennie Moten orchestra in Kansas City, later organizing his own orchestra and performing on radio In 1936 he came to New York, appearing in hotels, night clubs,Vancouver Cooperative Radio, CFRO, 1005FM is a noncommercial, cooperativelyowned, listenersupported, community radio station

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Was a swing, dance band from Austin, Texas that was started by the saxophonist Greg Kehl Moore in 1996 The group had two CD releases and played in clubs extensively in Austin, Houston, and San Antonio The group broke up in 00 after a 4 year runWhatever the origins, "One O'Clock Jump" was recorded by the Basie band for Decca Records on July 7, 1937, and on hearing it later that summer, audiences simply took it as an invitation to dance;ONE O'CLOCK JUMP download 668M _78_oneoclockjump_metronomeallstarbandtmondellobcarterchawkinstbeneke_gbiab_01_35_ET_EQflac download

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"One O'Clock Jump" (Count Basie Orchestra recorded 1937) 12bar blues form Introduction 000 Basie begins with a repeated figure in the lefthand, called a "vamp" Piano solo 010 He then takes two 12bar choruses to develop a spare but clear melodic idea Notice his minimalist lefthand stride accompaniment, reinforced by the exuberant but easyswinging rhythm section 9 Count"One O'Clock Jump" begins, characteristically, with piano and rhythm section;One oclock jump count basie orchestra recorded 1937 "One O'Clock Jump" (Count Basie Orchestra recorded 1937) 12bar blues form Introduction 000 Basie begins with a repeated figure in the lefthand, called a "vamp" Piano solo 010 He then takes two 12bar choruses to develop a spare but clear melodic idea

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